The Shure Nexadyne 6 has been developed specifically to authentically reproduce the powerful sound of snare drums and toms. As a dynamic microphone with a supercardioid polar pattern, it can handle very high sound pressure levels while still effectively suppressing unwanted ambient noise. Shure's innovative Revonic Dual‑Engine technology uses two matched transducers to provide natural and balanced sound reproduction. Whether the drums are set up on stage or in the studio, every hit is captured with detail and authority. Thanks to the A6D drum mount the mic ships with, the Nexadyne 6 can be attached securely and discreetly directly to the drum hoop.
The Shure Nexadyne 6 delivers a balanced, detailed sound with clear highs, defined mids, and a powerful low end. Its wide frequency range from 50Hz to 16kHz captures even the finest sonic nuances of any drum with precision. Revonic Dual‑Engine technology, the Nexadyne series' key innovation, uses two matched transducers that work together to cancel out vibrations and mechnical noise – absolutely crucial when miking drums. And the mic's supercardioid polar pattern suppresses sound arriving from the sides and prevents unwanted spill from neighbouring sources such as cymbals, ensuring the drums come through in the mix exactly as intended. Overall, this contributes to a very clean signal that reduces the need for additional processing, a huge timesaver when mixing live bands in particular.
Capturing the precise, high-energy sound of toms and snare drums is a real challenge, and the Shure Nexadyne 6 is the ideal solution. With a deliberately low sensitivity rating of -61 dBV/Pa, the mic responds perfectly to even extremely loud sources like close-miked snare drums – so transients and attack translate into a warm, full sound that won't overwhelm a preamp or the mix itself. Its precisely matched dual‑transducer design ensures a stable tonal balance even when mic placement changes slightly, giving drum techs reliable, repeatable results from show to show: With its compact, lightweight design, the mic can be positioned almost anywhere on the kit with just a few simple adjustments. The Shure Nexadyne 6 delivers professional sound quality both in the studio and on stage, making life easier for FOH engineers, producers, and the musicians themselves.
The American company Shure began developing microphones during the early 1930s and is one of the pioneers of the audio engineering sector. Models such as the 55 Unidyne – known to many as the "Elvis microphone" – and the SM57 and SM58 which appeared in the mid-1960s are still ubiquitous in live sound production today. They enjoy cult status among musicians and technicians alike. In the 1990s, Shure introduced the first wireless microphones and in-ear monitoring systems and became a market leader in this field. In addition to microphones, Shure offers a wide range of earphones and headphones for studio and live use, as well as various accessories.
The Shure Nexadyne 6 is the ideal choice for miking drums, be it live or in the studio. Because it comes with Shure's A6D mount, it can be attached directly to the hoops of snare drums and toms, ensuring a secure fit and precise sound capture. Alternatively, it can simply be mounted on a stand with any standard microphone clip. In addition to capturing drumkits for Rock, Jazz, Metal and more, it's also suitable for a wider range of diverse percussion instruments: Wherever it's used, when it's paired with a high‑quality preamp it'll deliver detailed, natural sound reproduction. It integrates seamlessly into virtually any microphone setup and provides a clear, focused signal without unwanted noise, even for loud sources in loud environments.
Revonic Dual‑Engine transducer technology
Shure's Revonic Dual‑Engine transducer technology combines two precisely matched components that work together to deliver optimised sound reproduction. Whereas conventional microphones often rely on a single capsule, the Dual‑Engine approach enables a more targeted processing of acoustic signals, while effectively minimising mechanical interference and handling noise. The two transducers are configured in parellel at source to ensure an exact match, resulting in a natural, consistent sound that reduces the need for subsequent signal processing – particularly in live environments.