Search Results - Page 1 - "Warm Audio WA-412 4-channel microphone preamplifier"

Warm Audio WA-412

28

100% discrete, transformer-balanced circuit
Altran USA Custom wrapped premium input and output transformers
X520 operational amplifiers in each channel (exchangeable if required, as plugged on base)

Warm Audio WA-44

4

Polar pattern: Figure Eight
Frequency response: 20Hz – 20,000kHz
Max. sound pressure level: 140 dB SPL

API Audio 3124V

1

Classic API circuit design
API 2520 OP amplifier
Switchable 3:1 Output transformer for each channel

SSL Pure Drive Quad

30

AD converter (up to 192 kHz / 32-bit) and 12x12 USB audio ...
SuperAnalogue PureDrive microphone preamp technology from the ORIGIN console
Stepped gain control with up to +65 dB gain

Universal Audio 4-710D Twin-Finity

47

4-Channel tone-blending microphone/line preamplifier
With classic compression in 1176-style per channel
Two signal paths: 285 V Class-A tube preamplifier and solid state transconductance amplifier

Warm Audio WA-47jr

112

Discrete construction
Transformerless FET version of the renowned '47 classic
Gold-coated double large diaphragm

Warm Audio WA-8000

25

Polar pattern: cardioid, omnidirectional
Lundahl output transformer
Tube type: NOS 6AU6

Warm Audio WA-FT Fen-tone

7

With integrated 26 dB preamplifier
CineMag USA transformer
Powerful neodymium magnet

Warm Audio WA-FT Fen-tone Stereo Pair

With integrated 26 dB preamplifier
CineMag USA transformer
Powerful neodymium magnet

Warm Audio WA-14SP

13

Polar pattern: cardioid, omnidirectional and figure-of-eight
Custom CineMag USA transformer
In-house developed capsule CK-12 with double diaphragm and 34 mm diameter made of solid brass

Warm Audio WA-19N

15

Polar pattern: Cardioid
Frequency range: 30 - 18,000 Hz
Bass cut at 50 Hz variably adjustable from 0 to -10 dB

Warm Audio WA-87 R2

25

Directional characteristic: Cardioid, Omnidirectional, Figure-8
WA-87-B-50V capsule - Reproduction of the classic K87 capsule
Gold-sputtered 6 µm NOS Mylar diaphragm

Warm Audio WA-47

32

Based on the classic '47 microphone
9-Way switchable polar pattern: cardioid, omnidirectional, eight + 6 intermediate stages
Output transformer: TAB-Funkwerk (AMI) USA

Warm Audio WA-251

26

Switchable polar pattern: Cardioid, omnidirectional and figure-eight
Dynamic range: 125 dB A
Peak SPL: 132 dB (<0.5% THD)

Thomann FetAmp

283

Extremely low-noise Class A JFet amplifier
For dynamic and ribbon microphones
2 Matched JFet transistor pairs

Rupert Neve Designs 511

46

1 Channel Mic preaamp with 500 Module formfactor
+48V Phantom power can switched On and Off
8 Segment LED Level-Meter

Warm Audio Retro 64

2

In 1960s broadcast design
Matched capsule with clear, mid-focused sound and reduced treble for feedback suppression
High off-axis attenuation and effective noise suppression

Focusrite Scarlett 4i4 4th Generation

98

24-bit / 192 kHz
Focusrite Rednet Series converters with 120 dB dynamic range
2 Scarlett microphone preamps with 69 dB gain

Focusrite ISA 428 MKII

14

For microphone - instrument Hi-Z and line signals (transformer-based)
4 Line outputs
Variable input impedance

Ecler Warm4

8

4 Mixing channels
3-Band Isolator Full Cut EQ
3-Band isolator (300 Hz and 4 KHz, -8 /+12 dB, 4th order 24 dB/oct)

Cordial EM 5 MP elements

97

Length: 5.0 m
XLR 3-pin male to 6.3 mm jack TS (mono / unbalanced) male
Conductor area: 2x 0.22 mm²

Warm Audio WA273-EQ

24

Discrete Class A circuit
Carnhill transformer
80 dB gain

Warm Audio WA-2MPX

6

Fully discrete, hand-built design with 3 tubes per channel
Tape saturation adds harmonic distortion and compression
90 dB gain

Warm Audio WA73-EQ

47

In the British 1073 style
Discrete Class A circuit
Carnhill transformer

Warm Audio WA-14

23

With variable attenuation and three directional characteristics
With Warm Audio "Lens Capacitor" LK-12-B-60V
Capsule in vintage CK12 style

Sommer Cable Epilogue Phono Cable 1,0

7

Perfect for connections with the highest demands (pre-/power amplifier, CD player, DVD, ...
Very neutral, natural sound with spatial quality for perfect transmission of even classical instruments
Absolute reference in almost all well-known recording and mastering studios

Arturia MiniFuse 4 Black

35

24 bit / 192 kHz
+48 V phantom power switchable
Illuminated controls and LED meter for displaying input level

Warm Audio WA12 MKII Black

8

71 dB gain
Cinemag USA input and output transformers
Socketed Discrete OpAmp: X731 (Vintage)

Tascam US-4x4HR

28

24 Bit / 192 kHz
4 Microphone inputs with Ultra HDDA microphone preamps with low self-noise (Input: -125 dBu): XLR, balanced
4 Line inputs: 6.3 mm jack, balanced

Warm Audio WA-WL

1

Ultra-low noise JFET input
Balanced signal path (in/out)
26 dB gain

Warm Audio WA-CX12

9

Dual diaphragm capsule in CK12 design
TAB-Funkenwerk (AMI) USA output transformer
High-quality 12AY7 vacuum tube

Warm Audio TB12 Tone Beast Black

21

Up to 71 dB gain
Transformer bypass switch
Two different discrete OpAmps: 1731 (Vintage) and 918 (Cleaner)

the sssnake SM6BK

12308

XLR 3-pin male - XLR 3-pin female
Length: 6 m
Diameter: 6 mm

the sssnake SM10BK

10293

XLR 3-pin male < - > XLR 3-pin female
Length: 10 m
Diameter: 6 mm

pro snake 17582/3,0 SW Audio Cable

213

XLR male - stereo jack 6.3 mm
Length: 3 m
Balanced

Arturia MiniFuse 4 White

34

24 bit / 192 kHz
+48 V phantom power switchable
Illuminated controls and LED meter for displaying input level

IK Multimedia iRig Stream Pro

13

For iPhone, iPad, Android, Mac and PC
Two operating modes: Multichannel or stereo
2 In/2 Out or 4 In/2 Out

Pro-Ject Phono-Box

11

Equaliser preamplifier with MM / MC switching
Max. gain: 40 dB (MM)/ 60 dB (MC)
Converts your phono signal into a line level signal

Warm Audio WA-67

6

Based on an EF86 pentode tube
Switchable polar pattern: cardioid, omnidirectional, figure eight
Replica of the K67 capsule

Leaf Audio Geophone L

4

For absorbing low-frequency vibrations
Suitable for field recording, sound design experiments, music production, Foley applications and more
Frequency range: 15 Hz - > 1000 Hz

Sirus Quad R + 4H 823 Bundle

Frequency scan
Volume control
Auto Squelch

freqport FreqInOut FO1

8

Enables the integration of analogue outboard devices into the preferred DAW
For sound engineers and producers who use outboard equipment or want to process several signals simultaneously
Four mono in/out or two stereo in/out or two mono in/out and one stereo in/out

Cordial CAM 6 BK

2719

Length: 6 m
Original Neutrik NC 3 FXX-BAG + NC 3 MXX-BAG XLR plug
Cable type: CME 220 Black

Sirus Quad R/4B 4 Headmike D 823 Set

Frequency scan
Volume control
Auto Squelch

Audio-Technica Pro 45

32

Perfect for choral recordings
Polar pattern: Cardioid
Includes permanently attached 7.6 m cable

Shure SLXD4Q+E Beta58 G65 Bundle

Frequency range: 470 - 608 MHz
Audio conversion: 24 bit / 48 kHz
Dynamic range: 118 dB

Audio-Technica AT8458a

43

Suitable for Audio-Technica AT2020, AT2020USB, AT2020USB+, AT2035, AT2050, AT3035, AT3060
Colour: Black

Warm Audio WA-2A

44

100% discrete signal path
CineMag input transformer
CineMag output transformer

DAP-Audio SI 4-900

Power: 4 x 1350 W into 2 ohms, 4 x 900 W into 4 ohms or 4 x 600 W into 8 ohms
Power in bridge mode: 2 x 2700 W into 4 ohms or 2 x 1800 W into 8 ohms
Volume control: one gain control per channel

Warm Audio WA-CX24

3

Two dual diaphragm capsules in CK12 design
Upper capsule can be rotated 180º
Polar pattern separately adjustable for each capsule: Cardioid, omnidirectional, figure-of-eight, plus 6 ...

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