Search Results - Page 1 - "Dunlop JHMS4 Authenthic Hendrix '68 Shrine Series Band of Gypsys Fuzz"

Dunlop Jimi Hendrix Fuzz Face Mini

117

Exact replica of the original circuit of JHF1 Hendrix Fuzz Face
Legendary Fuzz Face sounds
Pedalboard friendly dimensions

API Audio 550b Discrete 4 Band EQ

5

From the 500 series
7 centre frequencies selectable per band
12 dB of boost / cut per band

SSL 500-Series UltraViolet EQ

44

Fusion Violet with minimum-phase high- and low-shelving filter
Two additional fully parametric mid-band EQs, each with focus mode for targeted frequency processing
Switchable high-pass filter (off/30/40/50Hz)

Zähl EQ1

9

API 500 format
Amplification range for all bands between +/- 5 dB and +/- 15 dB switchable
Treble: Frequency adjustable from 2 - 20 kHz, characteristic switchable Shelf / Bell

Cranborne Audio Carnaby 500

19

Analogue EQ circuit that uses harmonic saturation to boost and cut frequencies
Parametric LO and HI shelving bands with ±10 dB cut/boost
Parametric MID band with ±10 dB cut/boost and fixed Q factor

Rupert Neve Designs 551

10

Low EQ: +/-15 dB shelf or peak
Selectable for 35 Hz, 60 Hz, 100 Hz or 220 Hz
Mid EQ: +/-15 dB with 6 centre frequencies: 200 Hz, 350 Hz, 700 Hz, 1.5 kHz, 3 kHz and 6 kHz

Trident Audio 80B-500 EQ

10

Identical to the Trident Series 80 console
Low frequency range between: 60 Hz and 120 Hz switchable
High frequency range between: 8 kHz and 12 kHz switchable

API Audio 560 Graphic EQ

Design: 500 module
12 dB boost/but per band
Midpoint filter frequencies: 31 Hz, 63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz, 16 kHz

Neve 1073LBEQ Module 500er API

6

Mono EQ in the 500 series API format
Gain indicator with signal LED
Bypass switch

Neve 88R LBEQ

Based on the 88RS console circuit
±20 dB gain per band
Low band: 33–440 Hz with selectable shelf filter (standard/resonant) or bell filter

WES Audio Pandora

4

With digital recall and automation
Analogue design
24 dBU Headroom

Dunlop Germanium Fuzz Face Mini Red

52

Germanium transistors as in a fuzz of the 60's
Legendary Fuzz Face sounds
Pedalboard-friendly dimensions

Harrison Audio MR3eq

4

+/- 10 dB boostc/ cut range
HF 800 Hz - 15 kHz, 6 dB / Octave Shelf band
LF 40 Hz - 800 Hz, 6 dB / Octave Shelf band

Dunlop JH F1

59

Fuzz
Detailed reproduction of the "Dallas Arbiter FuzzFace"
With BC-108 silicon transistor

Neve 1073LB Preampmodule 500er API

94

The 500 series API format
Based on the well-known Classic 1073
Legendary Class A design Neve sound

SSL 500-Series 611 EQ

25

500 series
SSL 4000 E Series circuit
"Black-242" and "Brown-02" twin EQ design

Rupert Neve Designs R10

15

XLR and 6.3 mm jack input and output per channel
LED display for power consumption
VCA buses in channels 1-2, 3-4, 5-6, 7-8, 9-10 can be activated in pairs via ink jumpers

Dunlop Flow Standard Picks 2.00

151

Material: Ultex
Thickness: 2.00 mm
Standard shape

API Audio 512v Preamp

12

Microphone preamp with 65 dB gain
Line and instrument pre-amplification with 45 dB gain
Button for 3: 1 output transformer

Rupert Neve Designs R6

31

8 Channels I/O with XLR, jack and SubD/DB25 connectors
LED Metering for electricity consumption monitoring
48V Phantom power available per channel

Rupert Neve Designs 542

32

API 500 Format
Tape saturation emulator
Trim control (+/-12 dB PreTape Level Control)

Dunlop Jazz III 1,38

689

Jazz III
Red 1.38 mm

Rupert Neve Designs 511

46

1 Channel Mic preaamp with 500 Module formfactor
+48V Phantom power can switched On and Off
8 Segment LED Level-Meter

Rupert Neve Designs 545

5

Reduces feedback without filtering the signal
Increases the level of a microphone up to feedback in a live sound environment by up to 20 dB
Ideal for vocals

SSL 500-Series SiX Channel

26

Channel strip with SuperAnalogue microphone preamplifier and 5-step LED display
48 V phantom power
Phase and HPF switch

Cranborne Audio Camden 500

26

Linear, transparent microphone preamplifier
2 Discrete analogue saturation circuits for sound colouring
THD+N: 0.0002 %.

Elysia xmax 500

9

Multiband compressor with low, mid and sidebands
Soft clipper
Variable crossover frequency between low and mid band

SSL 500-Series Bus Comp. MKIII

32

With highpass filter in sidechain
500 Series - stereo dynamic module
Bus compressor

Dunlop Jimi Hendrix Strap Festival

100

Jimi Hendrix Woodstock Design
Material, pattern and embroidery faithful to the original used by Jimi Hendrix
Artwork inspired by concert posters and visual art by Jimi Hendrix himself

Dunlop Thumb Pick med. Shell 4er Set

4

Right-handed version
Size: Medium
Material: Plastic

Heritage Audio OST-4 V2

36

On Slot technology (power regulation for each individual slot)
Link function (each channel can be linked to the next channel at the touch of a button)
Power supply with 400 mA per rack

Dunlop Plectrums Tortex STD 0,73

294

Tortex Std
Thickness: 0.73 mm
Colour: Yellow

WES Audio Supercarrier II

15

ISP (Independent Slot Power) technology
XLR input and output for each slot
Additional sub DB-25 input and output for slot 1-8

MÄAG EQ4-500

2

Frequency bands in the main section: Sub or 10 Hz, 40 Hz, ...
Air band shelf equaliser settings: off, 2.5, 5, 10, 20 and 40 kHz
Air Gain Increase of the air band shelving equaliser by up to +20 dB

Neve 88RLB Preampmodule 500er API

20

The 500 series API format
Based on the known 88RS module
Legendary Neve sound

Empirical Labs Pump

5

Adjustable input level with clip LED
8 Selectable compression ratios (2:1 to 20:1)
Adjustable attack time (200us bis 40ms)

Trident Audio SC2 500 Optical Compressor

2

500 Series Module
Analogue signal path
Maximum input level: +22 dBu

API Audio 527A Compressor Limiter

4

Uses the discrete operational amplifiers 2510 and 2520
Adjustable threshold, attack, release, ratio and output
Ten segment VU gain reductionpeak meter

API Audio 512c Mic Pre

15

The 500 series
65 dB gain
Microphone input on the front and back

Cranborne Audio 500ADAT

6

With integrated 8 In / 8 Out ADAT expander
8 I/O channels with XLR
8 Channel discrete analogue summing unit

Dunlop Plectrums Tortex STD 0,88

291

Tortex Std
Thickness: 0.88 mm
Colour: Green

SPL BiG

24

Range: Selects the frequency range to be processed
Stage: Selected frequency range can be moved backwards or forwards on the stereo stage
Bigness: Adjusts the intensity of the stereo image

Cranborne Audio Brick Lane 500

1

PWM compression circuitry and unique ‘stress’ control for harmonically enriched compression effects
Six compression modes: Velvet, Float, Smash, Tame, Glue and Polish
Threshold